Performance Phenomenology: To the Thing Itself by This collection of essays addresses emergent trends in the meeting of the disciplines of phenomenology and performance. It brings together major scholars in the field, dealing with phenomenological approaches to dance, theatre, performance, embodiment, audience, and everyday performance of self. It argues that despite the wide variety of philosophical, ontological, epistemological, historical and methodological differences across the field of phenomenology, certain tendencies and impulses are required for an investigation to stand as truly phenomenological. These include: description of experience; a move towards fundamental conditions or underlying essences; and an examination of taken-for-granted presuppositions. The book is aimed at scholars and practitioners of performance looking to deepen their understanding of phenomenological concepts and methods, and philosophers concerned with issues of embodiment, performativity and enaction.
Shakespeare: Actors and Audiences by Shakespeare: Actors and Audiences brings together the voices of those who make productions of Shakespeare come to life. It shines a spotlight on the relationship between actors and audiences and explores the interplay that makes each performance unique. We know much about theatre in Shakespeare's time but very little about the audiences who attended his plays. Even today the audience's voice remains largely ignored. This volume places the role of the audience at the centre of how we understand Shakespeare in performance. Part One offers an overview of the best current audience research and provides a critical framework for the interviews and testimony of leading actors, theatre makers and audience members that follow in Part Two, including Juliet Stevenson and Emma Rice. Shakespeare: Actors and Audiences offers a fascinating insight into the world of theatre production and of the relationship between actor and audience that lies at the heart of theatre-making.
Applied theatre. Research
Medieval Theatre Performance
Performance: a critical introduction
Musical Theatre Song
Theatrocracy : Greek Drama, Cognition, and the Imperative for Theatre
Jérôme Bel : dance, theatre, and the subject
Weekend societies : electronic dance music festivals and event-cultures
Shakespeare in the Theatre: Trevor Nunn by Sir Trevor Nunn is one of the most versatile and accomplished directors in the English-speaking theatre. This book examines his achievements as a director of Shakespeare within the wider context of debates on the cultural politics of Britain's theatrical institutions in the twentieth and twenty-first centuries. His approach has been marked by the combination of close textual analysis with inventive theatricality, in performance spaces ranging from the large stages of the Royal Shakespeare Company and the National Theatre to the intimacy of the companies' studio theatres. The principal focus of the book is on Nunn's work as director of Shakespeare during his artistic directorship of the RSC and the NT. The four core chapters focus in detail on major productions that can be said to have challenged and changed perceptions of the plays, including The Winter's Tale (RSC, 1969), the 'Roman Plays' season (RSC, 1972) and All's Well That Ends Well (RSC, 1982), and the studio productions of Macbeth (RSC 1976), Othello (RSC, 1989) and The Merchant of Venice (NT, 1999). The study draws on archive material, as well as reviews and other published commentary, including that of actors who have worked with him.
This library guide contains selected resources relevant to courses studied within the Sir Zelman Cowen School of Music and Performance, as well as providing valuable information about library reasearch skills to help you in your studies.
The Matheson Library (Clayton) has excellent collections of journals, books and multimedia that support study and research in these areas.
Royal Shakespeare Company Live Collection
Includes:
Includes:
Series 1 - Richard II, Henry IV Part 1, Henry IV Part 2, and Henry V. Starring Ben Whishaw, Jeremy Irons and Tom Hiddleston
Series 2 - Henry VI in two parts and Richard III. Starring Benedict Cumberbatch, Hugh Bonneville, Judi Dench, Michael Gambon, Sally Hawkins, Sophie Okonedo and Tom Sturridge.
The library provides access to many plays online via AustralianPlays.org, Alexander Street Press, Digital Theatre Plus, Drama Online and Routledge Performance Archive. Recent additions from Alexander Street Press include The Bacchae and Antigone directed by James Thomas.
Deborah Leiser-Moore in M Kaddish for the Children. Photo: Pier Carthew
Witness is a forum for independent critique and debate about the Australian performing arts set up by Alison Croggon and Robert Reid in 2018. Read the reviews for examples of theatre critics placing contemporary performance in its social, aesthetic and historical contexts. For example, Robert Reid reviews M: Kaddish for the Children, a reimagining of Euripides' play, Medea. Watch out for Alison Croggon's new Currency Press book, Remembered Presences: Responses to Theatre.
Contact a librarian
Email: lib-arts-librarians@monash.edu
For students seeking help, please access Meet with a Librarian service.
Contact the Copyright Adviser for enquiries relating to copyright. Email: university.copyright@monash.edu. Further information on copyright is at the following links:
Monash Library & Disability Support Services
