Figure Number. Creator, Title or Description/explanation, Year (if relevant).
Figure 1. Palace of the Governors, Santa Fe, New Mexico. Undated photograph, circa 1900.
Figure 2. Schematic block diagram showing upper plate (top) and lower plate (bottom) of the Battle Lake thrust-tear fault system.
Refer to illustrations in the text by the figure number, abbreviated as fig. For example: "As can be seen in the Palace of the Governors (fig. 1) ... "
Figure Number. Artist Full Name, Title of Artwork, Year of production.
OR
Figure Number. Artist Full Name, Description, Title of Artwork or Exhibition, Year of production.
Figure 1. Rose Nolan, Give or Take, 2017.
Figure 2. Yayoi Kusama with Infinity Mirror Room: Phalli's Field, Castellane Gallery, New York, 1965.
Figure 3. Eija-Liisa Ahtila, production still from The House, 2002.
Figure 4. George Stubbs, Tiger Skeleton, Lateral View, ca. 1795 - 1806.
Refer to illustrations in the text by the figure number, abbreviated as fig. For example: "Rose Nolan’s Give or Take is a feature piece of the Caulfield Library (fig. 1) ... "
Figure Number. Artist Surname, First Name. Title of Artwork. Year of production. Medium, dimensions. Collection, Location. Courtesy line. Photographic credit. URL or reference information for image source.
OR
Figure Number. Artist Surname, First Name. Description Title of Artwork or Exhibition. Year of production. Medium, Relevant details including duration. Collection, Location. Courtesy line. Photographic credit. Copyright information. URL or reference information for image source.
Figure 1. Nolan, Rose. Give or Take. 2017. Red and white ceramic tiles, 300 x 1,385 cm. Monash University Collection, Melbourne. Monash University Public Art Commission, 2017. Photograph: Andrew Curtis. https://www.monash.edu/muma/collection/100-works-of-the-monash-university-collection/100-works/rose-nolan.
Figure 2. Kusama, Yayoi. Infinity Mirror Room: Phalli's Field. 1965. Castellane Gallery, New York. Image courtesy: Ota Fine Arts, Tokyo. © Yayoi Kusama, Yayoi Kusama Studio inc.
Figure 3. Ahtila, Eija-Liisa. Production still from The House. 2002. Super 16 mm colour film transferred to a 3-channel video, 14 minute loop. Edition five of five. © 2002 Crystal Eye, Helsinki.
Figure 4. Stubbs, George. Tiger Skeleton, Lateral View. ca. 1795-1806. In Lippincott, Louise and Andreas Bluhm. Fierce friends: artists and animals, 1750-1900, 64. London: Merrell, 2005.
(Artist Surname Year of production)
"Elements of this can be seen in works like The House (Ahtila 2002) ... "
(Breuer 1925)
(Kusama 1965)
(Mies van der Rohe 1929)
(Nauman 1970)
(Nolan 2017)
Artist Surname, First Name. Year of production. Title of Artwork. Medium, dimensions. Collection or exhibition, Location.
Ahtila, Eija-Liisa. 2002. The House. Super 16mm colour film transferred to a 3-channel video, 14 minute loop. The Art Institute of Chicago, Chicago.
Breuer, Marcel. 1925–26. Club Chair (Wassily Chair or B3). Chrome-plated tubular steel and canvas upholstery, 72 x 78 x 71 cm.
Kusama, Yayoi. 1965. Infinity Mirror Room: Phalli’s Field. Sewn stuffed fabric, mirrors, 250 x 455 x 455 cm. Castellane Gallery, New York.
Mies van der Rohe, Ludwig. 1929. Barcelona Pavilion. Barcelona.
Nauman, Bruce. 1970. Live-Taped Video Corridor. Wallboard, video camera, two video monitors, videotape player, videotape, dimensions variable. Solomon R. Guggenheim Museum, New York.
Nolan, Rose. 2017. Give or Take. Red and white ceramic tiles, 300 x 1,385 cm. Monash University, Melbourne. https://www.monash.edu/muma/collection/100-works-of-the-monash-university-collection/100-works/rose-nolan.
(Author Surname Year of publication, Pages, illustration type and number)
(Sobel 1993, 87, table 5.3)
(Liebovitz 2002, 53, fig. 6)
... in Ann Hartley's Fields of Lillies, produced in 1912 (in Stands and Brown 2003, 22, fig. 5)
Author Surname, First Name. Year of publication. Title of Publication: Subtitle. Location: Publisher.
Liebovitz, Annie. 2002. Dancers: Photographs by Annie Liebovitz. Washington DC: Smithsonian Institution Press.
Sobel, Richard, ed. 1993. Public Opinion in US Foreign Policy: The Controversy over Contra Aid. Boston: Rowman and Littlefield.
Stands, Gemma, and Anthony Brown. Landscapes: Artists and Flora. London: Phaidon, 2003.
Did you find this page helpful?
progress_activity
Thank you. Your feedback was successfully submitted.
An error has occurred, please try to submit this form again. If the error persists, contact the Library via this link.