Reference list |
Bryce, Q 2012, Address to the Samoan parliament, online video, viewed 5 June 2012, http://www.radioaustralia.net.au/international/2012-04-02/australian-gg-makes-historic-speech-in-samoa/788998 |
Paraphrasing - Author prominent |
Bryce's (2012) speech to the Samoan parliament was the first by a head of state since 1962. |
Paraphrasing - Information prominent | The role of women in politics was a key theme in the speech and coincided with debates in Samoa on the issue (Bryce 2012). |
Quoting - Author prominent |
Bryce (2012, min.1:15) asserts that 'a key aspect of an effective democracy is the empowerment of women'. |
Quoting - Information prominent | 'I congratulate Samoa on the steps being taken to increase the number of women in this parliament' (Bryce 2012, min.1:22). *pinpoint the quote |
Reference list |
Obama, B 2012, 'Address to America Israel Public Affairs Committee', transcript, The Guardian, 4 March, viewed 22 May 2012, http://www.guardian.co.uk/world/2012/mar/04/obama-aipac-speech-read-text |
Paraphrasing - Author prominent |
Obama (2012) again signalled strong support for Israel. |
Paraphrasing - Information prominent | The threat to nuclear non-proliferation posed by Iran was discussed at some length (Obama 2012). |
Quoting - Author prominent |
Obama (2012, p. 3 of 6) reiterated the American government‟s position on Israel; 'we have continued to insist that any Palestinian partner must recognise Israel's right to exist'. *pinpoint the quote |
Quoting - Information prominent |
A clear statement that „the United States and Israel both assess that Iran does not yet have a nuclear weapon‟ (Obama 2010, p. 4 of 6) did little to allay fears. *pinpoint the quote |
Reference list |
Froman, M. (2020) 'Extended Interview with Michael Froman' Interviewed by Elyssee for The Business, 3 March, viewed 11 June 2020, https:// www.abc.net.au/news/programs.the-business/2020-03--03/extended-interview-with-michael-froman/12022624?nw=0 |
Paraphrasing - Author prominent |
Froman (2020) sees integration as the primary reason for economic improvements in most countries over the last seven years. |
Paraphrasing - Information prominent | There is a rise in countries creating their own internet, their own platforms and uncoupling from each other (Froman 2020). |
Quoting - Author prominent |
Froman (2020, min. 2:11) believes we will 'see countries beginning to pull back and pursue more nationalistic policies' *pinpoint the quote. |
Quoting - Information prominent |
More commonly now 'countries are looking for alternative ways of integrating with each other given the fact that with the WTO there hasn't been much progress' (Froman 2020, min. 2:47). *pinpoint the quote |
Reference list |
Ruggie,J. (2011) 'Business and Human Rights Together at last. A Conversation with John Ruggie' Interview by Fletcher Forum staff for The Fletcher Forum of World Affairs, Summer 2011, viewed 11 June 2020, http://www.fletcherforum.org.home/2016/9/6business-and-human-rights-together-at-last-a-conversation-with-john-ruggie |
Paraphrasing - Author prominent |
Ruggie (2011) argues early American mining ventures into the Andes caused many issues with indigenous communities. |
Paraphrasing - Information prominent | Chinese companies are going through a learning curve in dealing with local communities (Ruggie 2011). |
Quoting - Author prominent |
Ruggie (2011, para 2) was responsible for the ' development and proposal of what has now become the respect, protect and remedy framework'. *pinpoint the quote |
Quoting - Information prominent |
The respect, protect and remedy framework says that 'it is the duty of the state to protect against human rights abuse by third parties, including business' (Ruggie 2011, para. 2) *pinpoint the quote |
Reference list |
Miller, G & Stapleton, R 2012, Birdland, radio program, ABC Radio National, 14 January. |
Paraphrasing - Author prominent |
Miller and Stapleton (2012) collated bird sounds, music, poetry and documentary in this program. |
Paraphrasing - Information prominent | The contributors to the program shared their love of Australian birds through poetry and music (Miller & Stapleton 2012). |
Quoting - Author prominent | Miller and Stapleton (2012, min.1:33) chose from among ‟almost 400 pieces‟ to produce the program. *pinpoint the quote |
Quoting - Information prominent |
The program is a response to questions of the role of birds in „our individual sense of self‟ (Miller & Stapleton 2012, min. 1:17) |
Reference list |
Mitchell, N & Miller, G 2005, 'The Marco Polo of neuroscience: V S Ramachandran', All in the mind, radio transcript, ABC Radio National, 7 May, viewed 9 February 2012, http://www.abc.net.au/radionational/programs/allinthemind/the-marco-polo-of-neuroscience-vs-ramachandran/3440754 |
Paraphrasing - Author prominent |
Ramachandran was interviewed (Mitchell & Miller 2005) about his views on neuroscience and art. |
Paraphrasing - Information prominent | A number of controversial claims are proposed (Mitchell & Miller 2005). |
Quoting - Author prominent | In a radio interview (Mitchell & Miller 2005, para. 20), Ramachandran claims that in 'the entire history of the human species most of the art is highly distorted, exaggerated, even abstract'. *pinpoint the quote |
Quoting - Information prominent |
'When you explain something in terms of component parts you enrich your understanding a bit you certainly don't diminish from the experience' (Mitchell & Miller 2005, para. 10) |
Reference list |
Hickey, J (series producer) 2011, 'Episode 1', Immigration nation: the secret life of us, television program, SBS, 28 January |
Paraphrasing - Author prominent |
Hickey (2011) shows that Australia is multicultural despite historical efforts to prevent this. |
Paraphrasing - Information prominent | Until the 1930s, Australian governments explicitly pursued a white Australia policy in a variety of ways (Hickey 2011). |
Quoting - Author prominent | *if possible, use an online version with closed captions for quotes |
Quoting - Information prominent |
*if possible, use an online version with closed captions for quotes |
Transcript, television, online
Reference list |
Clark, T & Ryan, J 2000, 'Episode 1: keeping the faith', In the mind of the architect, television transcript, ABC TV, viewed 9 February 2012, http://www.abc.net.au/arts/architecture/ep_trn1.htm |
Paraphrasing - Author prominent |
Clark & Ryan (2000) survey perceptions of the role of architecture. |
Paraphrasing - Information prominent | Architects are portrayed as collaborative (Clark & Ryan 2000). |
Quoting - Author prominent | Sean Godsell (Clark & Ryan 2000, p. 18 of 20) asserts 'the client is the essential catalyst'. *pinpoint the quote |
Quoting - Information prominent |
The spiritual dimension of the High Court was captured in its architecture: 'a very pleasant place to work, but it was also to have the symbolic reflection of access to justice, openness and transparency' (Clark & Ryan 2000, p. 5 of 20). |
Reference list |
Monash Postgraduate Association 2011, 'Plagiarism', Compass online: winter, podcast, viewed 12 December 2011, http://mpa.monash.edu.au/compass-archives/Winter11/podcast.html |
Paraphrasing - Author prominent |
Monash Postgraduate Association (2011) discusses types of plagiarism and associated university policy and processes. |
Paraphrasing - Information prominent | Clear guidelines are provided on what the University considers plagiarism (Monash Postgraduate Association 2011). |
Quoting - Author prominent | Monash Postgraduate Association (2011, sec. 00:34) defines the term as 'passing off somebody else's work as your own'. *pinpoint the quote |
Quoting - Information prominent |
Plagiarism 'can be inadvertent or it can be intentional' according to Monash Postgraduate Association (2011, sec. 00:41). |
*music scores are referenced in the same way as books.
Reference list |
Sculthorpe, P 1982, Mountains, Faber, London. |
Paraphrasing - Author prominent |
Sculthorpe's (Faber 1982) Mountains was composed for the Sydney International Piano Competition. |
Paraphrasing - Information prominent | Jagged melodic phrases in the upper register symbolise the peaks of mountains (Sculthorpe 1982) |
Quoting - Author prominent | *if you reproduce musical notation in your work you must provide a caption and citation as shown in Appendix A |
Quoting - Information prominent |
*if you reproduce musical notation in your work you must provide a caption and citation as shown in Appendix A |
Reference list |
Ellington, D 2005, Purple Gazelle, Jazz at Lincoln Center Library, Alfred Publishing, California. |
Paraphrasing - Author prominent |
Ellington's (Alfred 2005) Purple Gazelle was transcribed by Paul Berger. |
Paraphrasing - Information prominent | Berger's transcriptions contribute to the increasing jazz literacy of high school jazz bands (Ellington 2005). |
Quoting - Author prominent | *if you reproduce musical notation in your work you must provide a caption and citation as shown in Appendix A |
Quoting - Information prominent |
*if you reproduce musical notation in your work you must provide a caption and citation as shown in Appendix A |
Edited music score or Critical edition
Reference list |
Pauer, M (ed.) n.d., L van Beethoven: Concerto for piano and orchestra No.5, op.72, Edition Peters, London. |
Paraphrasing - Author prominent |
van Beethoven's (Pauer ed., n.d.) concerto No 5 begins dramatically. |
Paraphrasing - Information prominent | Complex structures and themes interweave through the concerto (van Beethoven n.d.). |
Quoting - Author prominent | *if you reproduce musical notation in your work you must provide a caption and citation as shown in Appendix A |
Quoting - Information prominent |
*if you reproduce musical notation in your work you must provide a caption and citation as shown in Appendix A |
Reference list |
Murnau, FW (dir) 1922, Nosferatu, DVD, Eureka Video, London. |
Paraphrasing - Author prominent |
Murnau's (dir. 1922) silent film, Nosferatu, remains a powerful and iconic horror film. |
Paraphrasing - Information prominent | As an early example of German expressionist film, Nosferatu employs a range of cinematic effects manipulating the sense of time (Murnau dir. 1922). |
Quoting - Author prominent | Murnau (dir. 1922, min. 26:35) generated a frisson of fear through the juxtaposition of apparently ordinary lines as 'I will be in a very deep sleep indeed' with the imagery of decay. *pinpoint the quote |
Quoting - Information prominent |
Melodramatic lines such as 'her soul had heard the call of the death bird' (Murnau dir. 1922, min. 36:50) were calculated to generate poignancy in the face of impending horror. |