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Chicago 17th (A) Notes and Bibliography

Images and captions

Format:
  • There is no one exact format for captions, what you include will depend on the type of image. For example, artwork captions often include titles, while captions for diagrams, photographs etc often include a description or explanation.
  • Captions are usually positioned below the image and start with a figure number.
  • Spatial indicators such as “clockwise from left”, “left to right” or “top to bottom” are italicised within parentheses.
  • You can refer to images in your text by the figure number e.g. "..see Figure 1" or ..."(fig. 1)".
What to include:
  • If the creator is unknown you can leave this part blank, or write ‘uncredited’ or 'creator unknown'.
  • If the date is unknown, you can include 'n.d.' (for 'no date'), or write 'undated', and/or include an access date if it is a digital image.
  • If there is no title, provide a description.
  • You can also include a List of Figures, in bibliography format, providing the full details of the image. For example, the medium/dimensions of artworks, a photographer credit, the physical location of the item (often a gallery or museum), the resource you took the image from (e.g. a book or journal's reference details), a URL, or copyright information (if you are publishing the paper).

Caption

Format

Figure Number. Creator, Title or Description/explanation, Year (if relevant).

Example

Caption

Figure 1. Palace of the Governors, Santa Fe, New Mexico. Undated photograph, circa 1900.

Figure 2. Schematic block diagram showing upper plate (top) and lower plate (bottom) of the Battle Lake thrust-tear fault system.


In the text

Refer to illustrations in the text by the figure number, abbreviated as fig. For example: "As can be seen in the Palace of the Governors (fig. 1) . . . "

Caption

Format

Figure Number. Artist Full Name, Title of Artwork, Year of production.


OR


Figure Number. Artist Full Name, Description, Title of Artwork or Exhibition, Year of production.

Example

Caption

Figure 1. Rose Nolan, Give or Take, 2017.

Figure 2. Yayoi Kusama with Infinity Mirror Room: Phalli's Field, Castellane Gallery, New York, 1965.

Figure 3. Eija-Liisa Ahtila, production still from The House, 2002.

Figure 4. George Stubbs, Tiger Skeleton, Lateral View, ca. 1795 - 1806.


In the text

Refer to illustrations in the text by the figure number, abbreviated as fig. For example: "Rose Nolan’s Give or Take is a feature piece of the Caulfield Library (fig. 1) . . . "

List of figures

Format

Figure Number. Artist Surname, First Name. Title of Artwork. Year of production. Medium, dimensions. Collection, Location. Courtesy line. Photographic credit. URL or reference information for image source.


OR


Figure Number. Artist Surname, First Name. Description Title of Artwork or Exhibition. Year of production. Medium, Relevant details including duration. Collection, Location. Courtesy line. Photographic credit. Copyright information. URL or reference information for image source.

Example

Figure 1. Nolan, Rose. Give or Take. 2017. Red and white ceramic tiles, 300 x 1,385 cm. Monash University Collection, Melbourne. Monash University Public Art Commission, 2017. Photograph: Andrew Curtis. https://www.monash.edu/muma/collection/100-works-of-the-monash-university-collection/100-works/rose-nolan.

Figure 2. Kusama, Yayoi. Infinity Mirror Room: Phalli's Field. 1965. Castellane Gallery, New York. Image courtesy: Ota Fine Arts, Tokyo. © Yayoi Kusama, Yayoi Kusama Studio inc.

Figure 3. Ahtila, Eija-Liisa. Production still from The House. 2002. Super 16 mm colour film transferred to a 3-channel video, 14 minute loop. Edition five of five. © 2002 Crystal Eye, Helsinki.

Figure 4. Stubbs, George. Tiger Skeleton, Lateral View. ca. 1795-1806. In Lippincott, Louise and Andreas Bluhm. Fierce Friends: Artists and Animals, 1750-1900, 64. London: Merrell, 2005.

Tips

  • For photographs showing details, artwork documentation, film stills or exhibition installations provide a description, as well as a title if available.
  • Adjust the List of Figures information as needed. For example, don't include the copyright information for internal university assessments, only for works to be published.

Footnote

Format

Note number. Artist Full Name, Title of Artwork, Year, medium, dimensions, Collection or exhibition, Location (if applicable), URL.

Example

1. Eija-Liisa Ahtila, The House, 2002, Super 16mm colour film transferred to a 3-channel video, 14 minute loop, The Art Institute of Chicago, Chicago.

2. Marcel Breuer, Club Chair (Wassily Chair or B3), 1925–26, chrome-plated tubular steel and canvas upholstery, 72 x 78 x 71 cm, MOMA, https://www.moma.org/collection/works/2851.

3. Ludwig Mies van der Rohe, Barcelona Pavilion, 1929.

4. Yayoi Kusama, Infinity Mirror Room: Phalli’s Field, 1965, sewn stuffed fabric, mirrors, 250 x 455 x 455 cm.

5. Bruce Nauman, Live-Taped Video Corridor, 1970, wallboard, video camera, two video monitors, videotape player, videotape, dimensions variable, Solomon R. Guggenheim Museum, New York.

6. Dorothea Lange, Black Maria, Oakland, 1957, printed 1965, gelatin silver print, 39.3 × 37 cm, Art Institute, Chicago, http://www.artic.edu/aic/collections/artwork/220174.

7. Rose Nolan, Give or Take, 2017, red and white ceramic tiles, 300 x 1,385 cm, Monash University, Melbourne.

8. Nolan, Give or Take.

Bibliography

Format

Artist Surname, First Name. Title of Artwork. Year. Medium, dimensions. Collection or exhibition, Location (if applicable). URL.

Example

Ahtila, Eija-Liisa. The House. 2002. Super 16mm colour film transferred to a 3-channel video, 14 minute loop. The Art Institute of Chicago, Chicago.

Breuer, Marcel. Club Chair (Wassily Chair or B3). 1925–26. Chrome-plated tubular steel and canvas upholstery, 72 x 78 x 71 cm. MOMA. https://www.moma.org/collection/works/2851.

Kusama, Yayoi. Infinity Mirror Room: Phalli’s Field. 1965. Sewn stuffed fabric, mirrors, 250 x 455 x 455 cm. Castellane Gallery, New York.

Lange, Dorothea. Black Maria, Oakland. 1957, printed 1965. Gelatin silver print, 39.3 × 37 cm. Art Institute, Chicago. http://www.artic.edu/aic/collections/artwork/220174.

Mies van der Rohe, Ludwig. Barcelona Pavilion. 1929.

Nauman, Bruce. Live-Taped Video Corridor. 1970. Wallboard, video camera, two video monitors, videotape player, videotape, dimensions variable. Solomon R. Guggenheim Museum, New York.

Nolan, Rose. Give or Take. 2017. Red and white ceramic tiles, 300 x 1,385 cm. Monash University, Melbourne.

Tips

  • References to works of art, design and architecture are usually mentioned within the text and include the creator's name, the title of the work and the year it was created. Other details including media, exhibitions and collections can be narrated where relevant.
  • When visual material of this kind is the focus of discussion or analysis, an illustration is commonly included with an accompanying caption (see rules above).
  • If a footnote citation is needed, follow these patterns. The dimensions of artworks are conventionally ordered by height, width, depth. Subsequent references can be shortened.

Footnote

Format

Note number. Author Full Name, Title of Publication: Subtitle (Location: Publisher, Year of publication), Page(s), illustration type and number.

Example

1. Richard Sobel ed., Public Opinion in US Foreign Policy: The Controversy over Contra Aid (Boston: Rowman and Littlefield, 1993), 87, table 5.3.

2. George Stubbs, Tiger Skeleton, Lateral View, ca. 1795-1806, in Louise Lippincott and Andreas Bluhm, Fierce Friends: Artists and Animals, 1750-1900 (London: Merrell, 2005), 64, figure 11.

3. Stubbs, Tiger Skeleton, Lateral View.

Bibliography

Format

Author Surname, First Name. Title of Publication: Subtitle. Location: Publisher, Year of publication.

Example

Lippincott, Louise, and Andreas Bluhm. Fierce Friends: Artists and Animals, 1750-1900. London: Merrell, 2005.

Sobel, Richard, ed. Public Opinion in US Foreign Policy: The Controversy over Contra Aid. Boston: Rowman and Littlefield, 1993.

Tips

  • If the image is produced in another publication, use the referencing rule for that resource type, and cite the figure number in your footnote.
  • These examples show an image sourced in a book. Adjust the reference depending on the type of publication providing the image.

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