Figure Number. Creator, Title or Description/explanation, Year (if relevant).
Figure 1. Palace of the Governors, Santa Fe, New Mexico. Undated photograph, circa 1900.
Figure 2. Schematic block diagram showing upper plate (top) and lower plate (bottom) of the Battle Lake thrust-tear fault system.
Refer to illustrations in the text by the figure number, abbreviated as fig. For example: "As can be seen in the Palace of the Governors (fig. 1) . . . "
Figure Number. Artist Full Name, Title of Artwork, Year of production.
OR
Figure Number. Artist Full Name, Description, Title of Artwork or Exhibition, Year of production.
Figure 1. Rose Nolan, Give or Take, 2017.
Figure 2. Yayoi Kusama with Infinity Mirror Room: Phalli's Field, Castellane Gallery, New York, 1965.
Figure 3. Eija-Liisa Ahtila, production still from The House, 2002.
Figure 4. George Stubbs, Tiger Skeleton, Lateral View, ca. 1795 - 1806.
Refer to illustrations in the text by the figure number, abbreviated as fig. For example: "Rose Nolan’s Give or Take is a feature piece of the Caulfield Library (fig. 1) . . . "
Figure Number. Artist Surname, First Name. Title of Artwork. Year of production. Medium, dimensions. Collection, Location. Courtesy line. Photographic credit. URL or reference information for image source.
OR
Figure Number. Artist Surname, First Name. Description Title of Artwork or Exhibition. Year of production. Medium, Relevant details including duration. Collection, Location. Courtesy line. Photographic credit. Copyright information. URL or reference information for image source.
Figure 1. Nolan, Rose. Give or Take. 2017. Red and white ceramic tiles, 300 x 1,385 cm. Monash University Collection, Melbourne. Monash University Public Art Commission, 2017. Photograph: Andrew Curtis. https://www.monash.edu/muma/collection/100-works-of-the-monash-university-collection/100-works/rose-nolan.
Figure 2. Kusama, Yayoi. Infinity Mirror Room: Phalli's Field. 1965. Castellane Gallery, New York. Image courtesy: Ota Fine Arts, Tokyo. © Yayoi Kusama, Yayoi Kusama Studio inc.
Figure 3. Ahtila, Eija-Liisa. Production still from The House. 2002. Super 16 mm colour film transferred to a 3-channel video, 14 minute loop. Edition five of five. © 2002 Crystal Eye, Helsinki.
Figure 4. Stubbs, George. Tiger Skeleton, Lateral View. ca. 1795-1806. In Lippincott, Louise and Andreas Bluhm. Fierce Friends: Artists and Animals, 1750-1900, 64. London: Merrell, 2005.
Note number. Artist Full Name, Title of Artwork, Year, medium, dimensions, Collection or exhibition, Location (if applicable), URL.
1. Eija-Liisa Ahtila, The House, 2002, Super 16mm colour film transferred to a 3-channel video, 14 minute loop, The Art Institute of Chicago, Chicago.
2. Marcel Breuer, Club Chair (Wassily Chair or B3), 1925–26, chrome-plated tubular steel and canvas upholstery, 72 x 78 x 71 cm, MOMA, https://www.moma.org/collection/works/2851.
3. Ludwig Mies van der Rohe, Barcelona Pavilion, 1929.
4. Yayoi Kusama, Infinity Mirror Room: Phalli’s Field, 1965, sewn stuffed fabric, mirrors, 250 x 455 x 455 cm.
5. Bruce Nauman, Live-Taped Video Corridor, 1970, wallboard, video camera, two video monitors, videotape player, videotape, dimensions variable, Solomon R. Guggenheim Museum, New York.
6. Dorothea Lange, Black Maria, Oakland, 1957, printed 1965, gelatin silver print, 39.3 × 37 cm, Art Institute, Chicago, http://www.artic.edu/aic/collections/artwork/220174.
7. Rose Nolan, Give or Take, 2017, red and white ceramic tiles, 300 x 1,385 cm, Monash University, Melbourne.
8. Nolan, Give or Take.
Artist Surname, First Name. Title of Artwork. Year. Medium, dimensions. Collection or exhibition, Location (if applicable). URL.
Ahtila, Eija-Liisa. The House. 2002. Super 16mm colour film transferred to a 3-channel video, 14 minute loop. The Art Institute of Chicago, Chicago.
Breuer, Marcel. Club Chair (Wassily Chair or B3). 1925–26. Chrome-plated tubular steel and canvas upholstery, 72 x 78 x 71 cm. MOMA. https://www.moma.org/collection/works/2851.
Kusama, Yayoi. Infinity Mirror Room: Phalli’s Field. 1965. Sewn stuffed fabric, mirrors, 250 x 455 x 455 cm. Castellane Gallery, New York.
Lange, Dorothea. Black Maria, Oakland. 1957, printed 1965. Gelatin silver print, 39.3 × 37 cm. Art Institute, Chicago. http://www.artic.edu/aic/collections/artwork/220174.
Mies van der Rohe, Ludwig. Barcelona Pavilion. 1929.
Nauman, Bruce. Live-Taped Video Corridor. 1970. Wallboard, video camera, two video monitors, videotape player, videotape, dimensions variable. Solomon R. Guggenheim Museum, New York.
Nolan, Rose. Give or Take. 2017. Red and white ceramic tiles, 300 x 1,385 cm. Monash University, Melbourne.
Note number. Author Full Name, Title of Publication: Subtitle (Location: Publisher, Year of publication), Page(s), illustration type and number.
1. Richard Sobel ed., Public Opinion in US Foreign Policy: The Controversy over Contra Aid (Boston: Rowman and Littlefield, 1993), 87, table 5.3.
2. George Stubbs, Tiger Skeleton, Lateral View, ca. 1795-1806, in Louise Lippincott and Andreas Bluhm, Fierce Friends: Artists and Animals, 1750-1900 (London: Merrell, 2005), 64, figure 11.
3. Stubbs, Tiger Skeleton, Lateral View.
Author Surname, First Name. Title of Publication: Subtitle. Location: Publisher, Year of publication.
Lippincott, Louise, and Andreas Bluhm. Fierce Friends: Artists and Animals, 1750-1900. London: Merrell, 2005.
Sobel, Richard, ed. Public Opinion in US Foreign Policy: The Controversy over Contra Aid. Boston: Rowman and Littlefield, 1993.
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